Skip to main content

Free Entry 1, Week 6

Moving

I grew up finger painting and scarring the strapped load
peeking over the bed of this Ford, cruise control on 75, missing wiper blade,
tires that couldn’t hold a penny. Illegally in the HOV,
I cut through four lanes for trouble, off the pike
to a continuous left through two lights, hurried South
to the curb of our faded, thirty year old house.
I needed the ratty welcome mat that doesn’t welcome anymore.
You fired up that fucking Ford and hauled our
one legged kitchen table with four feet, four chairs with four legs,
dark as dry blood grain
mashed potato coated seats
but maybe this trip is your first to a side of town I can’t find.
Maybe you didn’t expect to rush past me amid your leaving.
Maybe I still have three trips to catch you
clearing out the first floor of the house.
I broke the strap to that.
Ate that at age 3.
I must thank your forgetfulness and the second floor furniture,
but how could you not employ Mayflower to cover and tow away the furnish
I grew up with? Why did we move into my parents place?
I’d recognize that wood grain and paint job anywhere.

Comments

Popular posts from this blog

Improv 1, Week 3

Language Mixology Half brother of the same halves, simulacra is fancy for “absent.” Like banging means “good” or off the chain means “good.” The same way off the hook forgets the phone, I’m forgetting the space between Oregon and North Carolizzay, daylight savings time and the addition of the “-izzay.” So silly that suffix, verbed blackface for black folks. ----------------------------------- Halfrican Brothers Keep Trying To Out Do Me Halfrican brothers keep trying to out do me, Blending their jaw line blackface. “Does that make you feel more black?” I’d say yes, if I knew that “black” Wasn’t the absence of white, The refusal to speak the King’s English. I’m remembering that black points, Though hard to come by, make all the difference Between grape drink and some opposite, Pants on the ground and some opposite, For non black folks.

Strategy Response, Week 10

Kathy Fagan’s strategy in dealing with clichés follows the strategy we are often taught, to inject fresh language into and around the cliché in order to personalize the phrase. Fagan does this every couple of poems, even developing an entire poem off the phrase “a monkey on her back” (2) in "Womb To Tomb Pantoum." This use of clichés makes the diction of Fagan’s poetry very casual and familiar, but the personalization of the clichés makes the specific language pop out with originality. Fagan takes the phrase “’pretty on the inside’” (19)in reference to girls that aren’t stereotypically beautiful and lets it reference specifically “the ones” (19)in "'69." Moments like this make Fagan’s poetry comfortable to an American audience, yet intriguing. If for no other reason, I continue to read Fagan’s work just to absorb how she twists clichés and trite phrases. When you catch one in her work, you expect her to twist the language into something that feels familiar, yet ...

Improv 1, Week 2

My favorite part of Carolyn Forche's "For the Stranger": "Wiping ovals of breath from the windows in order to see ourselves, you touch the glass tenderly wherever it holds my face. Days later, you are showing me photographs of a woman and children smiling from the windows of your wallet." Lions Don't Fly Planes The crack made by our navy blue coach seats allows for me to stick my tongue out at my future girlfriend, sick of popping ears and smelling of spearmint, having filled two barf bags with peanuts and canned juice, stuck every finger in the ash tray as her mother reads a Time, and tired of kicking my seat with kickball passion. When we arrive in Minnesota, I may offer her a spot in my carry on with Floppy, or just give her my uneaten pretzels.