In both of my improvs, I tried to adopt Adrian Matejka’s technique of short, quick, and pointed sentences, as well as a consciousness for ethnicity and nationality. I appreciate his work because of the distance he creates between what I assume are his personal feelings and vendettas and the final product of poetry. I often struggle with maintaining a balance between what I may describe as art and merely a rant over injustice. I still haven’t figured out how to introduce sincere anger over subjects such as assimilation and race into my works without becoming preachy, but Matejka succeeds here also. The collection Mixology depicts frustration over issues such as colorism, but the works never disturb me with an overly emotional tone. Matejka also appropriates popular culture and music into his work, another task I struggle with and often ignore. I don’t fawn over every lyric he uses, but I often think the lyrics add depth. I’m not sure if the lyrics would turn me off if I weren’t familiar with them.
Script Folio 43 Split pomegranate, common rhinoceros beetle, Scarlet Turks='s cap lily folding back it's red lips while anthers circle the pistil's one hand: above them six lines are written in chancery script with lettere tagliate , letters cut like the long lines of pasta our parents cut on our plate, the work of two people who never met. The two halves of each letter--below and above-- are severed or sewn together by inked chain links like those that knot a fence or a stitch that unravels the whole length of a sentence if a stray thread is pulled--chain letter, chain gang, chain mail, chain saw-- or those paper links that wrap themselves around the Xmas tree: eentsy weentsy spider sidling up to each letter, each word, casting and binding in silk as if to ravel and unravel once felt the same. ---------------------------- Food Foods were eaten like the grossness our parents turned into freedom tickets away from the kitchen table, the alteration of rules we didn’t know exis...
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