Skip to main content

Improv 1, Week 1

Since I am somewhat of a comic book fan, I decided to imitate the poem "Ben Grimm in Retirement," by Jonette Larrew.

My body, composed of crumbling earth. Dandelions sprout
from my chest and belly. Members of the cabbage
family embed my soles, curly dock roots in my scalp.

A gardener comes along to weed
every morning, tugs Bermuda shoots
and scrapes mosses. Like long-delayed success at extricating
a seed hull stuck in molars,
like scratching the ear canal.

Rocks and sticks, twigs,
branches, pebbles, mica and quartz.
I heave.
They tickle. They grind. Some rocks stick
fast into the ground. Rain and snow only rinse
them, like cleaning teeth.

Pill bugs and night crawlers keep me soft and arable.
Beetles, ants, always scurrying through the capillaries
they've rebulit. Lately, a mole
cricket riddles a network
of bores in my right forearm,
the ache in my wrist.
Earthworms will repair me in time. They always have.

I like this poem for its specificity that steers away from the actual superhero lore. There are no references to the Fantastic Four, no hints of "it's clobberin time," and no mention of the Thing's angry persona. All the details derive from the new character created within the poem.


Daredevil of 30214

When the city life fulfills me no more
I decide to fight mailbox bashings and home invasions,
a suburbanite with no cape.

The jurisdiction goes from the only QT on 314
to the intersection of the square, the downtown
with "One Way Only's." I chase car jackers there on purpose
knowing they will panic and make my job easier,
run head on into three lanes of pale headlights.

Crows, bluebirds, woodpeckers
and the like are my disease laden pigeons.
I have no gargoyles or skyscrapers,
just the local Wal-Mart. The "M"
gives me 24/7 closure. We stay open
even on holidays.

The Hispanics call me "Diablo,"
the general manager screeches at me to recover buggies
for room and board, but no body knows I'm blind out here
and think the carts I chase down speak decent Spanish
and call me names. I wrangle them without the aid
of the motorized collector.

Comments

Popular posts from this blog

Improv 1, Week 9

Script Folio 43 Split pomegranate, common rhinoceros beetle, Scarlet Turks='s cap lily folding back it's red lips while anthers circle the pistil's one hand: above them six lines are written in chancery script with lettere tagliate , letters cut like the long lines of pasta our parents cut on our plate, the work of two people who never met. The two halves of each letter--below and above-- are severed or sewn together by inked chain links like those that knot a fence or a stitch that unravels the whole length of a sentence if a stray thread is pulled--chain letter, chain gang, chain mail, chain saw-- or those paper links that wrap themselves around the Xmas tree: eentsy weentsy spider sidling up to each letter, each word, casting and binding in silk as if to ravel and unravel once felt the same. ---------------------------- Food Foods were eaten like the grossness our parents turned into freedom tickets away from the kitchen table, the alteration of rules we didn’t know exis...

Improv 1, Week 7

“Grounding” by Sandra Meek 5th and 6th Stanza […]That summer, retracing my parents’ younger lives, I drove past the red-stone mental hospital where they’d worked, through what use to be countryside, good rock hunting, now a clutter of suburban yards, bricked fences. What I learned from my father: it’s stasis that kills, and face cards are always the ones to keep. From my mother: self is just what doesn’t leave you. What I taught myself between flights, to orbit any celestial stone is to lose everything but direction. On the margin of a neighborhood going up, the only roses I unearthed were failed partial blooms: one side ridged, the other smooth as an Amish doll’s face the maker leaves unfeatured to avoid sin, the graven image. As if God didn’t know to go any deeper. --------------------- One vacation, transcribing my earlier trips to beaches, I crept over black sand, sea weed, and shells into the ocean where Uncle Scott tossed me like an inflatable boy. A cold Great Lake: just jump in...

Improv 1, Week 8

Myth I was asleep while you were dying. It’s as if you slipped through some rift, a hollow I make between my slumber and my waking, the Erebus I keep you in, still trying not to let go. You’ll be dead again tomorrow, but in dreams you live. So I try taking you back into morning. Sleep-heavy, turning, my eyes open, I find you do not follow. Again and again, this constant forsaking. * Again and again, this constant forsaking: My eyes open, I find you do not follow. You back into morning, sleep-heavy, turning. But in dreams you live. So I try taking, Not to let go. You’ll be dead again tomorrow. The Erebus I keep you in—still , trying— I make between my slumber and my waking. It’s as if you slipped through some rift, a hollow. I was asleep while you were dying. ---------------------- Partly Cloudy I was learning, while you were barely breathing, that twelve times eight is somewhere below one hundred: those multiplication tables delay my learning of your death. They are mind fog, never all...